LINGUISTIC CREATIVITY IN CINEMA DISCOURSE

ORIGINAL SOURCE
Originally published in MEDICINE, PEDAGOGY AND TECHNOLOGY: THEORY AND PRACTICE; Vol. 3 No. 1 (2025): MEDICINE, PEDAGOGY AND TECHNOLOGY: THEORY AND PRACTICE; 268-274.

Ollomurodov, Arjunbek (2025) LINGUISTIC CREATIVITY IN CINEMA DISCOURSE. MEDICINE, PEDAGOGY AND TECHNOLOGY: THEORY AND PRACTICE; Vol. 3 No. 1 (2025): MEDICINE, PEDAGOGY AND TECHNOLOGY: THEORY AND PRACTICE; 268-274.

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Abstract

This article explores the dynamic interplay of language and creativity within the distinct discourse of cinema. Moving beyond conventional analyses of dialogue, it examines how filmmakers leverage linguistic features—including lexicon, syntax, phonetics, and pragmatics—to craft innovative and emotionally resonant cinematic experiences. The study investigates how linguistic creativity manifests in various forms, such as the creation of neologisms and idiolects for character development, the manipulation of register and tone for narrative effect, and the strategic use of wordplay, metaphor, and other rhetorical devices to enhance thematic resonance. 

Item Type: Article
Additional Information: Imported from Medicine, Pedagogy and Technology: Theory and Practice
SWORD Depositor: Admin User
Depositing User: Admin User
Date Deposited: 28 Sep 2026 22:15
Last Modified: 28 Sep 2026 22:15
URI: https://universalpublishings.uz/id/eprint/16110

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